La Doriclea: German Record Critics’ Awards

15.02.2019

The first quarter winners of the “Preis der deutschen Schallplattenkritik” 2018/19 have been announced today,  February 15, 2019, and “La Doriclea” has won in the category of best opera album.

The association says:

“Schon bei Vol.5 ist diese verdienstvolle Gesamtausgabe des Œuvres von Alessandro Stradella angelangt, welcher sich der Dirigent und frühere Kontrabassist Andrea De Carlo verschrieben hat – er gründete dafür eigens ein Festival, in Stradellas Geburtsort Nepi, nördlich von Rom. Stradella war ein produktiver Kleinmeister mit dem gewissen Etwas. Sein gewaltsamer Tod anno 1682, nachdem er wegen Kuppelei aus Venedig verjagt worden war, machte ihn wahrscheinlich bekannter, als seine Werke. Die Mantel-und-Degen-Oper „La Doriclea“, 1670 sein Debüt in diesem Genre, ist eine Komödie der Irrungen innerhalb der frühen Barockoper. Die fabelhafte ungarische Sopranistin Emöke Baráth adelt die Aufnahme. Höchste Wertungen für eine Wiederentdeckung! Sie lehrt, wie bunt und wechselhaft es selbst noch im Kleingedruckten des Barock zugeht. (Für die Jury: Kai Luehrs-Kaiser)”

View the full list of winners: https://www.schallplattenkritik.de/bestenlisten/1019-bestenliste-1-2019

These lists are made by the Preis der deutschen Schallplattenkritik” (German Record Critics’ Awards), and contain their selection of the best and most interesting new releases of the previous quarter.

 

Learn more about La Doriclea: http://www.il-pomodoro.ch/news/new-recording-la-doriclea/

Barbara Strozzi: New Recording with Emőke Baráth and Francesco Corti

20.12.2018

The Venetian singer and composer Barbara Strozzi (1619-1677) was probably the most remarkable, talented, famous and successful woman of her times in the field of music. In 2019 we will celebrate its 400th anniversary with a new program performed by soprano Emöke Baráth under the direction of Francesco Corti, our new principal guest conductor.

The album, Voglio Cantar, will present some of her most beautiful compositions for soprano, some works by her teacher Francesco Cavalli, and a delightful variety of contemporary instrumental pieces, and it will be published by Erato on January 18, 2019.

Barbara Strozzi grew up in a household frequented by illustrious intellectuals. In the year 1637 her father founded an academy exclusively focused on music, the ‚accademia degli unisoni’ – which was not only hosted and presided over by Barbara, but also became her stage to perform her own music. She received her musical education from Francesco Cavalli, who then worked in various important musical positions in Venice and was about to launch his career as an opera composer.

Barbara Strozzi published a significant number of music: 8 volumes of madrigals, arias, ariettas, canzoni – including one volume of sacred music. Most of the compositions are focused on the soprano voice, displaying its pure beauty in lyrical melodies. The only painted (supposed) portrait of Barbara Strozzi shows her as a musician in quite a lascivious pose, presenting the then typical association of female musician and courtesan. Barbara Strozzi died in Padova in the year 1677 under unknown circumstances.

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